The Red Book

Imagine this: your work is snapped up by an agent who says ‘bloody brilliant – 50 million copies right off the press – I’ll make sure they get distributed to all the car-boots and charity shops in the area asap…’ Would you look at your agent and think perhaps it would be time to sever your relationship? I pondered on this dichotomy as I picked a book at random from a dusty cardboard box of pre-loved books at a car boot recently, handed over my 50p and dropped the book into my bag for later reading. Whenever that would be. I forgot about it until emptying the bag a few days later and when time allowed, I would sit with a coffee and have a little look at it. Now I have of course, and can’t put it down. I’ve checked-out the author’s website and am ashamed to discover that he is a very well known writer, having burst on to the writing scene in 1991 (my god that seems like another century!      No, wait…) though at the time of my purchase I had never heard of him. But hey, I was busy in the ‘90’s with babies and nappies and whatnot, so reading never happened. Ever. And by the time it did resume it was usually to help with homework or to read a school report, so it’s not surprising that this particular author slipped under my radar.   Anyway, win-win for me, as I have discovered purely by chance a writer whose work I enjoy very much and will now hunt down and trap at my local library, and whose back catalogue will keep me going through the forthcoming winter nights. Is it a lose-lose for him though? All that effort put in to plotting and writing and editing, to end up in a dusty cardboard box at a car boot? For 50p? Although that 50p did go to support a local charity.  On balance however, I think that if a book I had written had been sold in the traditional way back then (and the book I bought is 16 years old though you’d never know it by the good condition) then made a reappearance at charity car boot, a little part of me would be pleased. Pleased because it hadn’t ended up in landfill, pleased because 16 years later it was still in existence, and pleased because two parties benefitted from its re-sale. I guess humans will never stop reading or writing or painting or drawing or singing or all those other creative endeavours our humanity enables us to do, which means we’ll always have books of one sort or another. One of my daughters commented recently about ‘that red book I used to have. The one with the picture of a rabbit popping out of a blue box. What happened to it?’ Red book? I queried. Blue box? I had to think long and hard, trawling through the memories of all the children’s books and toys that came and went (mostly to and from charity shops) and then I remembered. The Red Book. It was made of fabric, and the pages padded out with foam so it was soft and easy to get hold of. For a ten month old baby. Guess I must have been reading back in the ‘90’s after all then. The book must have stayed around a while until we moved on to more complex storylines and characters – a giraffe with a sore throat rings a bell – but I allowed myself a little smile. What a precious thing to have given my children: a love of books.

Donate your books to Oxfam

Picture Prompt

As writers, many of us use the things we see around us as inspiration.  Sometimes we have an audio prompt – a conversation overheard, a snapchat or message on our phones, even a snippet of a song on the radio – but often it is the things we see that start the cogs turning.  With this in mind, I want to share with you these pictures taken very early on Sunday morning in the Teign valley in Devon.  Taken an hour apart, the contrast in the colours and feel of the photos is quite dramatic, and has already sparked my imagination to write a competition piece.  I hope you find them useful too.  Just imagine the gentle sound of the trickling water and the chattering of the birds in the reeds and you’re almost there…teign-valley-at-dawn

6.45am

 

an-hour-later

An Hour Later

Like the in-coming tide, I hope the pictures get your creative juices flowing!

Prompt!

So that’s August done and dusted for another year. What is it about the 8th month that acts like a dam, preventing any creative waters flowing and rendering the garden of editing parched and untenable? I guess we’d like to think it’s the wonderful weather causing a lapse in creativity – all that wall-to-wall sunshine insisting we frolic in the blue, blue sea before being rinsed down with a long cold beer or chilled white wine. Or the lure of visiting friends and family for those spontaneous barbeques that occasionally end with a wasp in the trifle and a visit to A&E – such events not always being connected. Or may be it’s just hard to be brilliant all the time.   Or any of the time. But you and I both know that with September striding out with his It’s Only Late Summer Not Autumn Yet attitude, the C word is hovering on the horizon throwing writers across the country into a flurry of activity akin to falling into a moving tumble dryer. Open mics to organise, works to proof read and edit, events to attend, ideas to nourish and flourish… Yep, summer’s gone and.. I can’t say it… summer’s gone and C…. Ch… Christmas is only (at the time of writing) one hundred and thirteen days away. Not so bad when you see it in text. See it in numbers though, and your mind plays different, more sadistic games: only 113 days until Christmas. Which is NOTHING! So time to get writing. Trying to find some inspiration the other day, I was directed toward some fantastic prompts – Thank You to all those people out there whose imaginations are currently far more fertile than mine! You know who you are – you crazy clever Creatives on Reddit. Here’s to you!

https://www.reddit.com/r/WritingPrompts/

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Scientists have invented a serum that allows animals to speak. Your dog was recently given the serum, but it appears the treatment has not worked. Your cousin, whom you haven’t seen for years pays you a visit. As the door opens, your dog suddenly whispers in your ear: “Run”

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You manage to get on the set of your favorite sitcom. When you go to get autographs from the actors you begin to realize none of them know they are on a show

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Every human knows the day date of their death. They just don’t know the year

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You are an archeologist exploring the ruins of a dead planet

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After dying, you discover that ghosts are bound to the places where their ashes are located. Now you’re really regretting that last clause in your Will.

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So there you have it. A few lines of inspiration to tickle your fancy with, and ease you back into the garden of editing.  Happy writing!

And thank you Hannah for showing them to me in the first place

Evesham Festival of Words Open Mic

What another fabulous day!  A great authors Open Mic session organised by Lindsay Stanberry-Flynn at the Evesham Festival of Words.  It must have been poets day, as so many attended.  With the recent news coverage of the centenary of the battle of the Somme, I read a poem dedicated to one of my grandmother’s brothers entitled and statesmen still murmer.  Here it is.

and statesmen still murmur

we would never meet,
you and I
only grainy images
remain
to explain to me
how you would die
just sixteen
your lion’s courage
could not compare
to your mother’s love
and she, discouraged
you to go
too young, she said,
too bored you had replied
until knee-deep in sucking mud
machine-gunned down
until you died
my Great uncle Denzil
a generation
lost to us
by the conceit and vanity
of others
an empty chair at the supper table
grows cold and dusty
your sister and brothers unable
to close the gap between them
so we lay wreaths,
at the Cenotaph
and statesmen still murmur
of the rutted path
to peace

©Jacci Gooding 2016

Open Mic

open mic jacci 3What a wonderful writers’ open mic evening at The Globe Hotel in Warwick last night! Organised and compered by writer Jenny Heap the event hosted creative writers, poets, creative non-fiction (fascinating) short story authors – all sponsored by Shakespeare 400. Thank you to all the supporters and participants – such a positive way for authors to get their work out there and make connections. If you haven’t yet found the courage to stand up and read your work out-loud (I know! But when you’ve done it once, the next 1000 times is easy) I would heartily suggest you do. The short story I read is from my collection of short stories that I shall be releasing into the wild in October, and it makes such a difference to hear your words rather than read them all the time. Even before my slot was due I was editing the story as I realised the bit that sounded so good earlier in the day really didn’t, and needed a swift sorting out with an old pencil found at the bottom of my bag. Organised, that’s me. The next author event I’m lucky enough to be appearing at is the Evesham Festival of Words 1st-3rd of July. At first, these open mic sessions may seem a little scary but are really just one step up from a writer’s group, except some of the audience will buy your book if you have some with you to sell. Everyone is there with the same mind-set: to support and listen to other writers’ work. One such person is author Viven Heim, who held the audience rapt as she read from her book It’s Just Not Good Enough.
At the same time as I was doing my bit at the event, a friend of mine, author and blogger Allison Symes was very kindly uploading an interview with me we did a while ago. We met at the Winchester Writers’ Festival last year and she is one of the many people who is helping me get my first ebook off the ground by being a beta reader and grammar tyrant for me.
So you see, there is so much to be gained from these open mic sessions – but most of all I would say self-confidence, which every author needs in abundance. If you don’t know of an om session near you – start your own. There’ll always be a friendly landlord willing to find you a corner; or maybe a library will be able to offer you space, or a local cafe. Open Mic Sessions? My New Best Friend!

I Can Do This! I said to myself – clearly delusional. That was last year. I joined The Alliance of Independent Authors because, I said, I Can Do This. I couldn’t of course.  I frittered afternoons and evenings away on KDP (other indie platforms are, apparently, available) but ended up a frazzled mess of not having a clue. But as I say, that was last year. This year, last month in fact, I attended a ‘boot camp’ at the Stratford Upon Avon Literary Festival orchestrated and run by the brilliant Ben Galley where he took the lucky attendees through his Shelf Help method of How To Self Publish Without Giving Up After The First Fifteen Minutes And Throwing Yourself Under A Bus. Although in truth that is my interpretation of the course, not Mr. Galley’s.  His was far more organised and to the point. Thank goodness.

Ben is a wonderfully generous exponent of self-publishing, and has devised a Master Class (so much better than ‘boot camp’ – less chiropodic. And yes, I have just made that word up) based on his own experiences of self-publishing, and has devised a tutorial that makes the process so very understandable and accessible. We even survived more than ten power point slides without slipping into a rich and dreamless sleep, which is an achievement in itself. So, for anyone reading this who hasn’t taken the self-publishing plunge yet or has taken the plunge only to find themselves flapping about without a life ring, I would heartily suggest whizzing yourself over to bengalley.com.

And in Ben’s spirit of sharing, here are a few tips for soon-to-be-indie publishers from me:

  1. Get advice. As much as you can. It might be called Independent Publishing but you can’t do it all on your own. Not entirely. Not well, any way.
  2. If you’re not a designer, don’t design your own book cover. Just don’t.
  3. Be nice to people. On-line, in reality, everywhere: you never know who will form the golden link in the chain of your publishing success.
  4. For the love of Dog, don’t do your own spill chocking!! See 2 above.
  5. Lock yourself away to write if you have to, but Get Out There to meet, greet and compete with other writers – it’ll inspire and motivate you.Short Stories by Jacci Gooding2