Calling All Authors – Your Library Needs You!

A few weeks ago as part of the Warwickshire branch of the Society of Authors, I was lucky enough to attend a meeting with our local library service. It was eye-opening. We learned how the books you see on the library shelves are chosen, how a self-published author would get to share this hallowed space, and how important it is for authors however published to be engaged with their local library. For example, author Erin Green gave an hour-long talk to a well-supported audience at Warwick library earlier in the month and it was only when listening to her and chatting with her afterward I realised how lucky we are as authors to have these spaces available to us – for free – with an almost guaranteed audience. Our readers don’t always have to buy our books; authors get fees each time their book is borrowed from a library so what better place to promote your work? The lovely librarians we spoke with explained the PLR (Public Lending Right) system which is administered from The British Library, which states on their website ‘If you are a published author, illustrator, editor, translator or audiobook narrator you could receive remuneration as a result of public library book loans.’ So using your library as an author and as a user is such a win-win. Are you an author reading this? Do you work with your library to promote yourself and them? Didn’t know you could? Drop them and email swiftish then, and find out if you’re just what they’re looking for! For us here in Warwickshire the library service will also display a poster for an author event if it is local, is an activity relating to local societies and/or organisations, and promotes writing. And only one of those boxes needs to be ticked.

            According the WCC libraries website they have almost 605,000 items on their shelves – that includes audio books, play scripts and music scores – and lend approximately 1.7 million items a year. One.Point.Seven.Million. Just in case you missed it. That’s an astonishing amount of written and spoken words. Some of them could be yours (or mine!)

            We were also introduced to an organisation called The West Midlands Readers’ Network which ‘supports reading by creating opportunities for readers and reading groups to engage creatively with literature, and to deepen their reading experiences.’ They ‘run a range of events, activities and projects with libraries and independent bookshops including commissions, creative reading events, a ‘Reader in Residence’ programme, plus networking and skills-sharing across the West Midlands.’ Do you have something like that in your area? Not sure? Ask a librarian!

            Myself and other SoA members had a really creative and collaborative couple of hours with the super librarians at Kenilworth Library. Another SoA member joined us from Birmingham where she told us the sad and damn-well outrageous news that Birmingham City Council, being bankrupt, has been forced to close all its libraries. Can you imagine living in a city without a library? I can’t. I can’t contemplate the hole that will leave in the lives of so many and the damage it will do to our young readers who are going to be denied the opportunity to access free books. It is an established fact that those who are encouraged and assisted to read from an early age are often well ahead of their peers in later life. Can you even contemplate not being able to read?

            So, top tips for you if you’re an author

  • Contact your local library to see what events are being run
  • Go to some of them! Meet people, support the library, network
  • Apply/ask to lead an authors hour (if that is what they do – other formats are available!)
  • Search out organisations in your area that collaborate with authors
  • Be that author

Writing Competition Time

Don’t you just love January? Oh c’mon, it’s a great month! So much to look forward to. Do you notice the days getting a teensy bit longer? So it may be cold/wet/snowy/bright/sunny/windy/all of the above but it means the earth is tilting toward the sun again, at least here in the northern hemisphere. Daylight will be returning and before you know it the crocus and daffs will be out, such horticultural joy sending us all a tiny bit doolallie for a while.

And what better news than knowing the South Warwickshire Lit Fest’s writing competition opens for submissions on January 15th.  That’s next week! The categories are the same as last year – Fiction, Creative Non-Fiction and Poetry and the entry fee is a paltry £3.80 (actually £3.50 but there is a 30p booking fee) with a £50 prize in each category. Closing date is March 29th so there is Per-Len-Tee of time to create your masterpiece whether some cracking poetry, stunning creative non-fiction or gasp-out-loud fiction. We’ll be shouting about it all over the socials, FB, X, I, BS – is that an anagram I wonder? – and we’re very much looking forward to your entries. All the details on how to enter are on our website – basically pay your entry fee then email us your work plus your Ticketsource reference number, here South Warwickshire Literary Festival.

When I created SWLF it was not in the mix to have writing competitions but since we introduced them they have been a marvellous insight in to what people are currently writing.  Supporting the Warwickshire Young Poet Laureate, who for 23/24 is May Vaughan, is always a delight, and interesting to see what younger people are writing about – so important that these voices get heard.

So here’s to your entries dear reader. I’m not a judge, just curator, so although I get to read all your lovely words my opinion counts for jack – we’re leaving the judging to the experts -all of whom will be revealed in the fullness of time..

So what are you waiting for ? Stop reading this and get writing!!

And if you know a young person in Warwickshire, aged 13-17 who could be the next YPL…

Entries for Warwickshire’s Young Poet Laureate 2024/25 will open in June 2024 at warwickshire.gov.uk/youngpoetlaureate. For more information about the Young Poet Laureate scheme please email libraryevents@warwickshire.gov.uk or your local library service if reading this in the UK.

Finding Time to Write that Novel

At the end of last month I was at the Oxford Indie Book Fair as part of Banbury Writers’ Cafe, strutting our stuff and mixing and mingling. It was a fun day out and someone even bought my book which caused both merriment and delight.  It’s been ages since A Collection of Unsettling Short Stories saw the light of day and the sale did give me slight surge of energy to get on with the sequel. However, as founder and Festival Director of the South Warwickshire Literary Festival there don’t seem to be enough minutes in a day to actually get round to it. So I thought I’d do a little blog instead. Well, y’know… displacement activity and all that…

My first collection of short stories I self-published yonks ago amidst teenagers’ driving lessons, daily taxi trips to college, walking my neighbour’s dog, writing a novel, working part-time, attending writing courses and a myriad of other activities now all lost in time. Six years later you’d think I’d have got round to A Collection of Unsettling Short Stories pt 2 wouldn’t you. Hmm. I have to agree. But no. The work’s all there, waiting for the Big E. Yep that’s right. The Big Edit. So, obviously daunted by the fact that this was a job I really needed to do I got on and did other things instead. Live Lit Evenings. Self-Publisher’s Showcase at the Stratford Literary Festival. Reviewing. Runner-up in writing competitions. My goodness what an impressive list of excuses!

Having chastised myself over a glass of red wine and an early advent calendar – what? don’t tell me you haven’t been tempted – I decided to send myself away…from myself…and am going to a writing weekend festival at Gladstone’s Library in February. This has given me tremendous focus to spend the weekend working on my current novel with the intention of actually finishing it. As in, ending it. As in, making it complete and done with. And I’m really looking forward to it. I have my story arc, my gang of characters, I have happy and sad, I have inciting incidents and unexpected What Ifs. I have it all ready to go and this time, I’m gonna do it. I must have known when I bought the 2024 Writers’ and Artists’ Yearbook that I was up to something.

So as Christmas approaches I shall go with the flow of the season, meanwhile feeling the excitement of my novel writing weekend growing, like a little bird getting bigger and bigger until it’s ready to fly.

And how about you, dear reader? Where are your writing endeavours taking you in the coming months? Leave a comment if you will, I’d love to know.

7 Tips for Clever Writing

A few blogs back I wrote about being inspired by art. Well, with that in mind, I painted this picture to give vent to my lack of artistic talent. Like it? Not bad is it. I like the way the lines all merge together in a conclusion of colour that burst from the screen.

Confession time.

It’s a photo. It’s a photo of the sky and some plants taken through a wibbly wobbly window but it looks ok doesn’t it! Think you’re looking at one thing, but really you’re looking at another. That’s the trick. Now turn that into clever writing.

What do I mean by clever writing? What even is that?! Do I even know?

I guess I mean presenting the reader at the beginning with what they think is one thing but by the time they get to the end realise it’s a different thing altogether – but in a good way. Isn’t that what they call a Twist? Or Plot? Or maybe even a Plot Twist?

So here’re a few tips for you, should be you interested. Just my thoughts and observations… nothing too taxing. Let me know if you agree…or not

  1. Do your research then write like you haven’t. Eh? Wha..? As in, make your story so natural that your readers are drawn in straight away, without any time to argue the toss or disagree with what you’ve written. Make sure you know what you’re writing about in terms of exposition, especially in historic fiction.
  2. Writing science fiction? Make your new world as relatable as this old one and your readers will be there from the get-go. With time and good pacing of chapters you can unfold your new world without anyone really noticing and then bam – they’re residents of your new world without even booking a removal van.
  3. Without doubt clever dialogue is the way forward. What is clever dialogue? Is it what you hear all around, every day? Or is it well structured, over-long and completely unlikely? Do we speak now as Mr Darcy spoke then? Be brief. Be bright. Be Clever. If in doubt, chuck it out.
  4. Nab yourself a clever idea which will grow into your story giving rise to a great plot. Clever idea huh? Well excuse me while I just pop down to the clever plot shop. Simple’s always best. Make it too complicated – too many brush strokes – and you’ll lose your reader. Say for example you’re writing a cli-fi, how about the seas suddenly freezing over rather than warming up? Oh Contraire I hear you gasp.  It’s a 180 to the current crisis, so why not?
  5. Characters always help in a story, don’t you think? Making them mad a genius or an astronaut lost in space s a bit too clever – you’d have to know a lot about geniuses or space to pull that one off effectively. Nah, go clever. Writing crime? Police procedure? Let’s have no more of the grizzled-nearly-sacked-maverick-cop with a penchant for late night whiskey, but something cleverer. A deaf detective? Could be interesting.
  6. Develop a good support cast. Could be a horse. Could be a kid. Could be an older gent or lady with a secret past. Make your support characters shine.
  7. Read. Read other authors; work out why you like what they write. Read authors you’ve never heard of in genres you’d never normally consider. Give it a go, and be clever about it. Obvs.

Vincent van Gogh and Experimental Writing

As you may have seen on a Twitter post from me recently I was lucky enough to visit the Vincent van Gogh Immersive Experience in Shoreditch and see for myself what all the excitement was about. And exciting it was.

I can’t honestly say I’m a fangirl of ol’ Vincent’s, but I do love a bit of art. Any art. The exhibition covered his life and premature death, his friendship with artist Paul Gauguin and the love of his brother. Did you know van Gogh originally wanted to be a priest? Me neither. You could say lucky for us that he failed in that respect.

The use of colour in Gogh’s work has often been discussed by those who discuss such things, and reading from the information sheets at the exhibition it seems that the conclusion drawn is that van Gogh may have suffered from xanthopsia, a condition which causes the sufferer to see in yellow more than any other colour. It’s not until you see so many of his hundreds of paintings together that you realise how much he loved his yellow. Think you know his sunflowers? Think again! He painted over 500 images of sunflowers, some of which you’ve probably never seen or even knew existed. It’s those big blousy ones in the vase that get all the attention. Drama queens.

Much of his work seemed to my untrained eyes very experimental – but then I’m no artist so what do I know – but according to the exhibition he had been told by one who knew so little, not to bother painting. He ignored such ill-founded advice and forged ahead.

Many of his preliminary sketches were on display and they put me in mind of a writer producing that scrappy first draft – you know the one – all puff and fluff, ideas and inspiration rather than proper prose and sentence structure.

How many times have you started with the puff and fluff, the idea and inspiration, to get fifteen minutes in declare it rubbish? That is not the way ahead my friend. Keep your puff and fluff, it could reap fantastic rewards a few months from now, because amongst the puff is the kernel of an idea that you had, and that must have some merit. Just because your whole story/novel/poem/essay isn’t formed yet doesn’t make it valueless.

Don’t be put off by that little niggly voice in your head telling you that what you’re writing isn’t any good. It might not be perfect – yet – but take a page off of Vincent’s canvas and stick with it.

The Old Allotments – a poem

Following on from Sue Cook’s @popsytops blog about landscape which I reblogged last week, I too have been on a walk, recently passing the 120 year old St Mary’s Allotments in Leamington Spa. It’s hard to convey the gentle energy in spaces like this, but here goes..

Nourishment, earth fed, where

robins, blackbirds, crows reside,

grows plentiful and rich

beside the banks and riverside

Where working man has striven

long, his brow a sweat of toil

as hands, like spades with aching back

worked hard the heavy soil

To feed, to grow his many

crops, returning home triumphant

as empty mouths and stomachs waited

for succour and for comfort.

Grass, long and green and succulent,

home too for mouse and insect

caresses now the empty pots

as blackbirds, thrush, with perfect

eye, lunge quick and sharp and

faultlessly, each jab around the hedging

another search for sustenance

to feed the growing fledgling.

Autumn apples drop to feed the

dormant springtime flowers,

the earth and all its worms and creatures,

made damp with summer showers.

Make way for compost, de-generation

as winter rests the ground

and sure as night will follow day

the earth will echo with the sound

of working men – and women now

who find a moment’s peace

within the lanes and grassy tracks

where troubles fail,

then

            cease.