7 Tips for Clever Writing

A few blogs back I wrote about being inspired by art. Well, with that in mind, I painted this picture to give vent to my lack of artistic talent. Like it? Not bad is it. I like the way the lines all merge together in a conclusion of colour that burst from the screen.

Confession time.

It’s a photo. It’s a photo of the sky and some plants taken through a wibbly wobbly window but it looks ok doesn’t it! Think you’re looking at one thing, but really you’re looking at another. That’s the trick. Now turn that into clever writing.

What do I mean by clever writing? What even is that?! Do I even know?

I guess I mean presenting the reader at the beginning with what they think is one thing but by the time they get to the end realise it’s a different thing altogether – but in a good way. Isn’t that what they call a Twist? Or Plot? Or maybe even a Plot Twist?

So here’re a few tips for you, should be you interested. Just my thoughts and observations… nothing too taxing. Let me know if you agree…or not

  1. Do your research then write like you haven’t. Eh? Wha..? As in, make your story so natural that your readers are drawn in straight away, without any time to argue the toss or disagree with what you’ve written. Make sure you know what you’re writing about in terms of exposition, especially in historic fiction.
  2. Writing science fiction? Make your new world as relatable as this old one and your readers will be there from the get-go. With time and good pacing of chapters you can unfold your new world without anyone really noticing and then bam – they’re residents of your new world without even booking a removal van.
  3. Without doubt clever dialogue is the way forward. What is clever dialogue? Is it what you hear all around, every day? Or is it well structured, over-long and completely unlikely? Do we speak now as Mr Darcy spoke then? Be brief. Be bright. Be Clever. If in doubt, chuck it out.
  4. Nab yourself a clever idea which will grow into your story giving rise to a great plot. Clever idea huh? Well excuse me while I just pop down to the clever plot shop. Simple’s always best. Make it too complicated – too many brush strokes – and you’ll lose your reader. Say for example you’re writing a cli-fi, how about the seas suddenly freezing over rather than warming up? Oh Contraire I hear you gasp.  It’s a 180 to the current crisis, so why not?
  5. Characters always help in a story, don’t you think? Making them mad a genius or an astronaut lost in space s a bit too clever – you’d have to know a lot about geniuses or space to pull that one off effectively. Nah, go clever. Writing crime? Police procedure? Let’s have no more of the grizzled-nearly-sacked-maverick-cop with a penchant for late night whiskey, but something cleverer. A deaf detective? Could be interesting.
  6. Develop a good support cast. Could be a horse. Could be a kid. Could be an older gent or lady with a secret past. Make your support characters shine.
  7. Read. Read other authors; work out why you like what they write. Read authors you’ve never heard of in genres you’d never normally consider. Give it a go, and be clever about it. Obvs.

Vincent van Gogh and Experimental Writing

As you may have seen on a Twitter post from me recently I was lucky enough to visit the Vincent van Gogh Immersive Experience in Shoreditch and see for myself what all the excitement was about. And exciting it was.

I can’t honestly say I’m a fangirl of ol’ Vincent’s, but I do love a bit of art. Any art. The exhibition covered his life and premature death, his friendship with artist Paul Gauguin and the love of his brother. Did you know van Gogh originally wanted to be a priest? Me neither. You could say lucky for us that he failed in that respect.

The use of colour in Gogh’s work has often been discussed by those who discuss such things, and reading from the information sheets at the exhibition it seems that the conclusion drawn is that van Gogh may have suffered from xanthopsia, a condition which causes the sufferer to see in yellow more than any other colour. It’s not until you see so many of his hundreds of paintings together that you realise how much he loved his yellow. Think you know his sunflowers? Think again! He painted over 500 images of sunflowers, some of which you’ve probably never seen or even knew existed. It’s those big blousy ones in the vase that get all the attention. Drama queens.

Much of his work seemed to my untrained eyes very experimental – but then I’m no artist so what do I know – but according to the exhibition he had been told by one who knew so little, not to bother painting. He ignored such ill-founded advice and forged ahead.

Many of his preliminary sketches were on display and they put me in mind of a writer producing that scrappy first draft – you know the one – all puff and fluff, ideas and inspiration rather than proper prose and sentence structure.

How many times have you started with the puff and fluff, the idea and inspiration, to get fifteen minutes in declare it rubbish? That is not the way ahead my friend. Keep your puff and fluff, it could reap fantastic rewards a few months from now, because amongst the puff is the kernel of an idea that you had, and that must have some merit. Just because your whole story/novel/poem/essay isn’t formed yet doesn’t make it valueless.

Don’t be put off by that little niggly voice in your head telling you that what you’re writing isn’t any good. It might not be perfect – yet – but take a page off of Vincent’s canvas and stick with it.

Cuckoo in the Nest by Fran Hill

Having been at the launch of Fran Hill’s Cuckoo in the Nest and also having read the book, I agree with Rosie Canning’s every word. A very moving novel. If you like book reviews please hop over to Rosie’s site to read more of her insightful reviews and interviews https://rb.gy/u5mjy

Rosie Canning's avatarOrphans & Care Experience in Literature

Cuckoo in the Nestis told from the viewpoint of 14-year-old uber intelligent, poet-in-waiting Jackie Chadwick. This is the voice of a young girl whose world is falling apart. Her mother has died from cancer, her father, an alcoholic is rude and at times physically abusive. So much so, Jackie ends up at A&E.

He was face down on the bed, his bulky frame vanquished by the drink: on his face and off his face at the same time. He had his shirt on but no trousers, only grey Y-fronts. The usual late afternoon uniform. At first, I thought he was awake, but then he snored, suddenly, like an engine being revved.

Jackie’s teachers though are observant and determined that Jackie will be looked after despite the girl’s protestations and inform Social Services, after which she is allocated a Social Worker.

Call-me-Bobbie and I were in the kitchen. We’d left…

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Writing Competitions

Fancy having a go? Writing comps are a great way to hone your work, use a different voice, try something new, test yourself – 100 word flash anyone?! I’ve rounded up a few here for your delectation. Don’t forget to check the rules – some won’t take stuff already published online for example – and go for it. Everyone loves to win!

Closing on June 30th is the  South Warwickshire Creative Writing Competition Only £3 to enter with a £50 prize in each category, they’re looking for 800 words of fiction, creative non-fiction or 40 lines of poetry, all genres accepted. Still time to get your entry in.

Here’s a free comp to enter, closing date also 30th June. The annual Writers College Short Story Competition is held to acknowledge excellence in creative writing in the short story form. The competition is open to any writer who is unpublished, or has been published fewer than four times. The competition is open the writers just beginning their writing journey. The 2023 theme is ‘Words Have Consequences.’

The Creative Ink Writing Short Story Competition 2023 is open to writers across the globe until July 31st 2023 at 4pm (GMT). Stories do not need to follow any particular theme or genre, but must be written in English. Maximum word count is 3000 words. 1st prize: £1000, plus a free creative writing course of the winner’s choice and publication on their site. 2 runners-up: £200 each. Entry fee: £9.

If you like a bit of flash, try Free Flash Fiction Write, edit and submit by 10 pm Friday 23rd June 2023 a flash fiction piece of between 100 and 300 words, on any theme. 1x Winner will receive £150.00 and publication, 2x Highly Commended will receive £30.00 and publication, 2x Shortlisted will receive £20.00 and publication 
£3.75 fee per entry/story via PayPal or Stripe, £2.25 fee per entry/story via BACS (click here) (UK Bank accounts only ). 

Here’s something a little unusual, or maybe not. If you like witches, then this one’s for you. A Coven of Witches is the next anthology from West Avenue Publishing and this is your chance to have your work included. All submissions must include witches, or a witch, as the main theme of the piece. Each author may submit up to three pieces for consideration. They accept short stories of up to 5,000 words and poetry of any length. Please email your submission as a Word document to westavenuepublishing@outlook.com Submissions will close at midnight GMT on the 30th of June 2023. The list of successful authors will be published on their website no later than 31st of July 2023, so please do keep an eye out. Successful writers will receive a one off payment of £10. Writers will retain all copyrights for their submission/s.

The Old Allotments – a poem

Following on from Sue Cook’s @popsytops blog about landscape which I reblogged last week, I too have been on a walk, recently passing the 120 year old St Mary’s Allotments in Leamington Spa. It’s hard to convey the gentle energy in spaces like this, but here goes..

Nourishment, earth fed, where

robins, blackbirds, crows reside,

grows plentiful and rich

beside the banks and riverside

Where working man has striven

long, his brow a sweat of toil

as hands, like spades with aching back

worked hard the heavy soil

To feed, to grow his many

crops, returning home triumphant

as empty mouths and stomachs waited

for succour and for comfort.

Grass, long and green and succulent,

home too for mouse and insect

caresses now the empty pots

as blackbirds, thrush, with perfect

eye, lunge quick and sharp and

faultlessly, each jab around the hedging

another search for sustenance

to feed the growing fledgling.

Autumn apples drop to feed the

dormant springtime flowers,

the earth and all its worms and creatures,

made damp with summer showers.

Make way for compost, de-generation

as winter rests the ground

and sure as night will follow day

the earth will echo with the sound

of working men – and women now

who find a moment’s peace

within the lanes and grassy tracks

where troubles fail,

then

            cease.

This is work, honest

Hello Reader
I’ve just read this lovely blog from writer Sue Cook (‘a pessimist’s guide to writing cheerfully’), as she captures the landscape so well and takes us with her on her research journey which author to author is always interesting. And ALSO – sixth pocket novel! Go you, Sue!!

Sue Cook's avatarSue Cook's Writing Blog

Saturday was the first springlike day of the year, so I got out my poles and went for a walk. Of course, I wasn’t just enjoying myself. No, I took some of the older trackways and paths on my way to a particular shop three and a half miles away.

I’m writing my sixth pocket novel. It’s set locally in the early 1790’s, just as the industrial revolution is starting to change life forever. For me, that means understanding what the area was like then so I can paint the landscape and home/work life accurately. Fortunately, there are still lots of old houses around, though relatively few that would have been already old back then. The house pictured below is ostensibly an exception.

It’s called Manor House and the date above the door is in the mid-1600s. Wow, I thought. But this is where you have to be careful. The…

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